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Music for the Holidays

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Music for the Holidays

Holiday music from Will Taylor and Strings Attached. Christmas music and classics such as What Child is This, Greensleves,O Come O Come Emmanuel, O Christmas Tree and more. . .

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Good music Slang Inc Podcast
The Monocle Weekly signs on with a mix of smart discussion, previews, field reports and feature interviews. From our studio in London and our bureaux in Tokyo and New York, Monocle's editors focus on the horizon and explore the looming stories within the five areas that define our editorial agenda: global affairs, business, culture, design and consumer culture. Sponsored by TOTO. For more information about Monocle’s print and online offerings please visit www.monocle.com. The Monocle Weekly
All things Progressive, music first and foremost also featuring the best Progressive house rhythms on the planet. Presented by Jason Lee. Progressive Sessions

The SSR show is comprised of interviews with local bands in the SF Bay Area. We also review new music and update you with local news. Sound Scene Revolution
Just like mix tapes of old, here you can kick back and enjoy mixes by chaibaba and maybe a guest DJ occasionally The Chai Lounge
Mixes recorded @home or @gigs... I specialize in Soul & Hiphop, some say Reggae too... I also spin House, Jazz, Latin, AfroBeat, Ole Skool Classics of Hiphop, Pop & R&B...
Contact me:
djloweki@gmail.com
312.521.3333
Facebook & Twitter: djloweki DJ LOWE KI in the MIX
The Sounds in My Head Become the Sounds In Yours. the Difficult Listening Channel
Hello Everyone!

We are The Listening Party Podcast! We're three friends from Southern California who enjoy music. None of us actually have a music background and most of our info is taken off Wikipedia, but we do bring a lot of personal (sometimes funny) stories when we share songs. The format of the podcast is theme based. Every week we have a different topic and each member picks one or two songs that fit that topic. We only just recently (episode 26) upgraded all of our equipment so we apologize for the lower sound quality of our earlier episodes. Thanks for checking us out and welcome to the party!

- The LPP The Listening Party Podcast
New podcast weblog millatime03
Check out my Newest mix its my 444 June 2009 Tech Trance mix with a sneak preview of my remix of Tim Deluxe's It Just Wont Do Damo Kay - 444 PODCASTS
Only now is there a possibility of never having anything worthwhile to do.

Steal yourself some time. Some time to think and time to kill.

Some think old, some think new, some think borrowed and we can all think blue.

It's good to run with your gang. Come and run with ours. Some Think Blue Magazine (mp3)
Every week Dom Servini takes an hour of his 3 hour Colourful Radio show to talk with inspirational musicians, performers, producers, poets, DJs and more. This is a podcast of those conversations plus the music selected by his guests. Wah Wah 45s » Conversations Podcast
A rehashing of news, politics, and culture from the deepest (weirdest) recesses of my brain. The Non Sequitur Podcast
Octex - aka Jernej Marusich
Octex's (aka Jernej Marusich musical path started in late 90s, when he fell in love with the sound of old analog synthesizers and started conducting Organic Crackle and Tone EXperiments (Octex).
His debut album Idei Laehsna (Tehnika records, 2002) received high praises from both critics and the public and got proclaimed as one of the best post Basic Channel dub-techno releases. But always looking forward his next album Variations (rx:tx, 2005) took his experimentation even further and deeper, which confused some of his fans a little, but gained him new ones, and got him some really good reviews in the press.

In the mean time he has lent his remixing skills to the likes of Laibach, Ultra-Red, Marko Furstenberg, Spyweirdos...

2008 will see the release of new EP and his ambient album Dead Center of Nowhere, originally recorded as a sequel to Idei Lahesna, but till now never released. It will finally see the day of light as a shared release between proclaimed Thinner net label and rx:tx.

In 2003 he has received Slovenian Boomerang Award for best new comer of the year, and in both 2002 and 2003 he was selected as one of the 10 finalist for Radio France International Electronic Music Award.

His live sets have taken him all over Europe to events such as: Club Transmediale (Berlin), Sprawl (London), Dispatch (Belgrade), Exit (Novi Sad), Cynet Art (Desden), Meet Me, Progress festival...
In 2008 he will be presenting his new audio/visual performance. Having already done video for his tracks (which also ended being played on Viva, Onyx TV...) he had developed a system that allowes him to automatically sync visuals to his improvised live performances.

WEB LINK & CONTACT:
http://www.octex.si/
EMAIL: octex (at) soundoflj.com
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. OCTEX - aka Jernej Marušič
TAO G. VRHOVEC SAMBOLEC is a sound artist and musician based in Amsterdam and Ljubljana. His works encompass audiovisual and mixed media installations, sound interventions in public spaces, composed and improvised (electro)acoustic music, sound design for video, and music for silent film.

Born in 1972 (Ljubljana – Slovenia), he received BA - main subject clarinet - at Trondheim Music Conservatory (Norway), BA in music composition and MA at Interfaculty Image and Sound – ArtScience, both at The Royal Conservatory in The Hague - The Netherlands, where he also followed Sonology course.

His works were shown and performed in various art galleries, museums and music festivals across Europe. Among others: Public Space With a Roof Gallery - Amsterdam, State Museum of Contemporary Art - Thessaloniki - Greece, Ars Electronica - Festival for Art Technology and Society - Linz - Austria, De Appel - Amsterdam, Madrid Abierto - Madrid, Museum of Modern Art - Ljubljana, Kapelica Gallery -Ljubljana, SKUC Gallery - Ljubljana, Musica a Metronom - Barcelona, Gaudeamus Music Week – Amsterdam, Forum neuer Musik - Köln, EuroJazz Festival - Tomar – Portugal, festival of contemporary music Contemporanea 2004 – Udine, AV Festival - Newcastle Upon Tyne, CMMAS - Morelia, Mexico ...

He was commissioned pieces by Barton Workshop Ensemble (Amsterdam), Percussion Group The Hague and Slovenian Cinematheque.

In 1996 he formed together with Tomaz Grom electroacoustic improv duo TILT, with which he performs live.

As improviser he has performed with Will Guthrie, Alzheimer Trio, Riccardo Massari Spiritini, The Same Girl (Gilles Aubry, Nicolas Field), Sabine Vogel, Dirk Bruinsma, ...

So far he has released two CDs with duo Tilt.

He is founder of international cycle of sound events, lectures and workshops Bitshift in Kapelica Gallery - Ljubljana, which started in 2001.

In 2008 he got awarded Startstipendium from The Netherlands Fundation for Visual Arts, Design and Architecture - Fonds BKVB.
WEB LINK: http://www.taogvs.org/
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. TAO G. VRHOVEC SAMBOLEC
she is a dancer and singer, mostly performing in dance-theater performers and she has choreographed four performances of my own. She has worked with many choreographers and theater directors in Slovenia and also abroad (all mentioned in biography) with whose She has received many rich experiences. She gain my dance education in Intakt studio of Ljubljana, Dance theater Ljubljana, in education programs of En knap group in Laboratory and Agon and in Emanat (Maja Delak) and in many workshops (Ann Populis, Wendy Huston, Iztok Kovač, Joseph Nadj...) also abroad.
In 2004 she got the scholarship for DanceWeb (Gavin Webber, Barbara Mayr, Judith Grodowitz, Gustavo Miranda, Risa Steinberg, Antony Rizzi, Ori Flomin, Agelique Willkie, Mark Tompkins, Nuno Rebelo, Franz Poelstra, Robert Stein, Ko Murobushi) in Vienna.
In 2007 she was in Wroclaw in Grotowsky institute and she had a chance to work for one month with many great artists as Pioter Borowsky, Maisternia Pisni, Theater Zar, Zigmund Molik, Jaroslaw Fret…All the time she is visiting different kind of workshops for movement and dance and in last five years she has been working intensely also on voice trough the work sessions with Diego Ross, Brina Vogelnik Saje, Lejla Radovan, Agelique Willkie, Charmain le Blanc, Nhandan Chirco, Anne Marie Blink, Gey Pin Ang, Maud Robard, Maisternia Pisni, Zar thetre, Zygmud Molik, Jonathan Hart Makwaia…
she has made four projects of her own up till now: Hitchcock’s metamorphosis, Caprice, Caprice (re)lapsed and “like a drop of rain into the mouth of silence” and many more in the collaboration with other dancers, actors and directors (Dragan Živadinov, Mala Kline, Maja Delak, Emil Hrvatin, Sebastian Horvat…)
she is working on voice in solo project named “iT” – for voice and three dictaphones, with which she was touring also abroad ( http://www.myspace.com/torarobit ). she is also a member in a band of Aldo Ivančič (Borghesia) Bast Kolektiv ( http://www.myspace.com/bastkolektiv ) - we made album retinal Circus together.
she is a teacher of dance in High school of dance in Ljubljana, teaching dance techniques

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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. IRENA TOMAŽIN
Borut Savski in Milan Kristl
O analogični kompoziciji:
Analogična kompozicija je osnova dramaturskega pristopa dveh avtorjev, ki je sicer improvizacija, vendar s predvidenim in predsestavljenim instrumentarijem. Razteza se med strukturo in de-strukturo - torej časovno: med trenutkom in konstruiranim (sestavljenim, zaporednim) časom. Če je sočasje (sinhronost) sodelovanja dveh avtorjev ena od osnov - torej: vzporejanje - je druga v razporejanju (v zaporedja) - v podrobnem je to ritmiziranje - v širšem pa je to glasbena kompozicija. Instrumentarij je na eni strani sestavljen iz različnih senzorskih sistemov - video, infrardečih, zvočnih in dotičnih (taktilnih) - povezanih na računalnik. Ti sistemi so različno odzivni - nekateri neposredno, drugi algoritmično. Na drugi strani je človesko telo in njegovi neposredni zvočni vmesniki, kot so piščali, brenkala in glasovi. Poudarek v obeh primerih pa je vendarle v iskanju sledi organskosti (telesnosti; ki je vedno predvsem struktura) logičnega (računalniškega, kulturnega) in analognega sistema (ki je avtonomija teles in njihovih odločitev)- torej analogne logike.

O principu analogičnosti:
Skovanka “analogično” je skrajsana besedna zveza ‘analogna logika’, ki je zanimiva zato, ker dejansko pomeni analogična logika, torej: nelogična logika. Torej nekaj takega kot ‘neumni um’. Semantično pa kaže na to, da je nelogično izpeljava iz logičnega - torej je primarnejši izraz: logično. Beseda, ki je zelo blizu ‘analogičnemu’ je ‘analogno’, vendar je v praksi (v kulturi...) povsem drugačnega (celo nasprotnega) pomena. Analogno opisuje, da je pri prevajanju iz ene vrednosti v neko drugo prišlo do proporcionalne (podobne - analogne) spremembe. Mi dodajamo, da je bila sprememba pri pretvorbi v drugo veličino skoraj linearna (v nasprotju z večpomenskostjo nelinearnih sistemov). V splošnejšem človeškem jeziku pa: da je pomen (skoraj) isti.
V matematiki je bila pred desetletji zanimiva beseda ‘fuzzy logic’ ali slovensko: ‘mehka logika’.
Primernejši izraz bi sicer bil ‘nejasna logika’. Ne le dve izključujoči se stanji - ampak neskončno stanj. Še en uporabljan izraz za omenjeni princip je ‘analogna logika’ - od tu torej skovanka principa analogičnega kot nelogične logike.
Analogični princip sicer izhaja iz gradnje (elektronskih) strojev, pri katerih moment odločitve ni enoznačen, ampak je zaradi zajemanja podatkov dveh senzorjev, uporabe analognih elektronskih komparatorjev in posebne konfiguracije pomičnih registrov precej samosvoj. Pri tem mislimo na samosvojost v razmeroma kratkem časovnem intervalu, ki ga dojemamo kot ritem, vendarle pa ga lahko označimo kot rudimentarni spomin - no, pomnilnik.
WEB: http://www.3via.org/trivia/
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. BORUT SAVSKI and MILAN KRISTL - "Analogična kompozicija" (Analogic Composition)
MARKO BATISTA is Ljubljana based mixed-media artist born in 1976 in Tito's Yugoslavia. At the end of the year 1997 he is accepted to ACADEMY OF FINE ARTS in Ljubljana under the guidance of professor BOJAN GORENEC. The result of collaboration with professor Borut Vogelnik, Bojan Gorenec, Joze Barsi, Sreco Dragan and artists Vasja Lebaric, Andrej Kamnik was a participation at the LA BIENNALE DI VENEZIA 50th International Art Exhibition: VV2 in June 2003. Texts, discussions and photo documentation was published in a book entitled PHOTOFINISH (Batista M., Kamnik A., Lebaric V.; 2004) in collaboration with Tomaz Kucer. In 1998 together with Miha Horvat (son:DA) founded multimedia group KLON:ART:RESISTANCE. Exploring moving images and digital sound environments they presented several projects at festivals, galleries and different urban places.In December 2000 FORUM STADTPARK (Gratz - Austria) and YOUTH CULTURAL CENTER (Maribor - Slovenia) invited Klon:Art:Resistance members in Gratz as a part of the introducing young conceptual artists of slovenian contemporary video art;
WEB LINK & CONTACT:
http://www.project-data.info/
sko (at) siol (dot) net

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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. MARKO BATISTA

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